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- <text id=91TT2136>
- <title>
- Sep. 23, 1991: View Points:Theater
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- Sep. 23, 1991 Lost Tribes, Lost Knowledge
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- VIEW POINTS, Page 73
- THEATER
- Framed, but Is It Art?
- </hdr><body>
- <p>By William A. Henry III
- </p>
- <p> Marcel Duchamp, the French Surrealist, labeled as "art" a
- battered bottle rack, a defaced poster of the Mona Lisa and a
- mass-produced urinal. He perceived art all around in the
- vernacular world. The question pondered in THE MYSTERIES, a
- multimedia enchantment at Harvard's American Repertory Theater,
- is whether vernacular life itself--the life of mating,
- domestic squabbles and old age--can constitute a sort of art.
- At times the idea is posed literally, as when writer-director
- David Gordon places an ornate frame around actors engaged in a
- mock wedding. At other times the "mysteries" of creation are
- interspersed with the mysteries of, say, detective stories. The
- text is often witty, if declamatory, but the real joys of the
- piece are acoustic and visual. Philip Glass has contributed his
- customary pulsating music, which has the narcotic effect of
- nitrous oxide coupled with the distant hum of a dentist's drill,
- yet is curiously pleasurable. Painter Red Grooms has designed
- the sets in a sort of Chagall-meets-Grandma Moses style that is,
- fittingly, both primitive and highly sophisticated.
- </p>
-
- </body></article>
- </text>
-
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